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The next scene features a group of planners looking at plans on a table. The next interview is with Max Bond, and he discusses the importance of community power. An unidentified woman joins in and remarks about the "game," and the struggle to figure out how to leverage it to the community's advantage. Max Bond agrees and suggests one way to change the "game" is to that elect people from the neighborhood onto planning commissions and into other offices.
The next person to speak is Art Symes, and he remarks that even with getting community people involved in planning commissions, the old methods require change as well. The next scene shows street scenes in Harlem, and then an aerial view of the streets from the top of a building. The next interview is with Paul Davidoff, and he discusses the problems with white professional planners making decisions on planning without working with people on the street and understanding what they need and the problems to fix. The next scenes show various problems with housing near industrial districts.
In particular, the film shows the problems in Red Hook, Brooklyn, such as the air pollution close to recreation areas for children.
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The film continues to show a variety of industrial blight mixed in with housing in south Brooklyn. The next scenes show the problem with a highway cutting through a neighborhood.
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The next scene shows a community meeting about a planned high school for Carroll Gardens, Brooklyn. About a half dozen residents speak out about the planning process and how decisions are made. The main issue appears to be black and white children attending the high school together. There are also many shots of the audience at the meeting.
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The next interview is with Francisco A. The next interview is with Dr. Carroll, and he talks about the planning in a broader sense of how all of the smaller parts fit together across the entire region and the problems with competing interests. The next scene features Greenburg, New York, where low density, low income housing exists away from industrial areas. There are several shots of children walking around and playing basketball. The final scenes area a montage of clips from the film. The film ends with a shot of traffic coming towards the camera as the film credits are displayed.
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The placard consists of two yellow peices of paper stapled to a white poster board. The word "stop" is in center of a stop sign.
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The wooden handle is covered by masking tape. The placard consists of peices of white paper stapled to a white poster board.
An image of Gray in a red t- shirt covers the entire placard. The other side of the placard features the same image and text identically. The bottom half of the wooden handle is wrapped in masking tape. One side of the placard consists of green paper stapled to white poster board. The other side of the placard consists of white paper stapled to a white poster board.
The paper is weather worn and the corners are bent. The entire wooden handle is covered in masking tape. This placard was used during the Freddie Gray protests in Baltimore, Maryland. The word "community" is written in black; "control" is written in red and blue and in cursive; "police" is written in blue; "now" is written in black and red block letters and is underlined twice. The poster board used for this side of the placard is larger than the other side. The placard is torn and the bottom and worn from use. The bottom half of the wooden handle is covered in masking tape.
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The poster is made of yellow pieces of paper taped together in the center and stappled to a white poster board. There is a black boarder around the People's Power Assembly's information. The back of the poster is blank. There is a large tear to the right of the word "police. The four corners of the placard are held together with clear tape and the wooden handle is partially covered with masking tape. The placard consists of yellow peices of paper stapled to a white poster board.
Placard reading "Baltimore: An Uprising not a Riot! The placard consists of several pieces of white paper stappled together. An image of a young man shouting at police is placed in between "Baltimore" and "an uprising. Gray died from spinal cord injuries sustained while in police custody. Description This black and white image depicts protesters with placards. The protestor in the center of the photograph is wearing a t-shirt and backpack.
The black-and-white poster has a centrally depicted graphic of a crouching, snarling black panther. There is an inscription in pencil on the back of the poster. The man sits cross-legged on the sidewalk with his right hand resting below his chin. The top of his face and head are out of frame.
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In his left hand he holds the handle of a protest sign that lays on the sidewalk to his left. Description A black-and-white photograph by Devin Allen of a group of men protesting in Baltimore, Maryland. The men's heads only are in the frame, all out of focus. The camera is focused on five 5 upraised arms showing the Black Power fist. The three arms in the front are tattooed.
A handkerchief is tied around the wrist of one of the arms in the back. Description A black-and-white digital photograph by Devin Allen of a group of unidentified men and an unidentified child protesting in Baltimore, Maryland. A photograph of Martin is printed in the upper right corner of the sign.
A man standing at the right side of the frame wears a light-colored t-shirt and a kufi, and speaks into a corded microphone. He holds one side of a large banner that is behind the man speaking and partially out of frame.
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Other protesters out of focus in the background hold signs for the People's Power Assembly with the organization's phone number. Description A black-and-white digital photograph by Devin Allen of a man protesting with his fist raised in a crowd at the U. Capitol in Washington, D. The man's face is at the far right foreground, with his right hand raised in a fist at the center of the frame. He wears a dark-colored suit jacket and white dress shirt. Other protestors' raised fists can be seen on either side of the man and in the background, all out of focus.
Description A black-and-white digital photograph by Devin Allen of an unidentified child on a bicycle leading a protest march in Baltimore, Maryland, at night. The child is posed in the center foreground straddling the bicycle and with their right arm raised and hand in a fist. Other people go about their business on the sidewalk.
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