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By the time this comesout, more will have changed, be changing, still. After a cancer diagnosis last year, Charlotte felt the urge to produce and release new music. The sleeve exclusively presents new work by the celebrated English artist John Stezaker, in the first of a triptych. This EP is laced with surprise and subversiveness. Its refreshing candour sets it apart.

Based in Holland and obviously taking in the might of European dance influences that surround him, 'A New Paradigm' spawns a new natural genome, between Italo disco, Belgium new beat and our own, homegrown synth jizz that we've championed from the start. In short, rickety old drum boxes jostle with that favoured analogue machinery that powers all the big bombs from our infamous discotheque!

Hammered to death off Pharaoh Brunson's battered stix, the tracks here were snowballing on dancefloors so much before lockdown, the. Get in! A wild obsession with big gated drums, jagged arps and darkly vocodered vox characterizes the EP; with moods veering from all-out, popper-huffing nihilism into star-gazing wanderlust with spontaneous combustions of nearby neutron stars thrown in for good measure. Four tracks that epitomise our label's musical agenda: rugged and rumbly, charged and electric.

Kinetic and mad functional, nocturnal body music with a head full of nitrates and a coital throb down under. It should find perfect habitat at any late nite dance n drug den once we're allowed to get up close, sweaty and start reaching for the red lasers again This MCR flagship has kept the dancefloor flame lit during club closures - coming in yer livestreams and peppering up your zoom dances with nothing but high grade Manctalo mayhem.

Yes cru! Sincere, sarcastic and unassumingly seminal: Glasgow's answer to Basic Channel, Southside's answer to Pub and Sandy's answer to those endless afters.

A warm dose of future-proof emotion. Strap in, this is one for heads, the lovers and all those along the way. Welcome to the layer cake son. Unfathomably intricate, yet retaining that all important emotional edge, music for dreams? And the rest So good it hurts. This pivotal UK label have been pushing their 8-bit dub sound for many years now and should be celebrated as a key component of the modern landscape.

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Errortica Safely Stowed - Inc. By delivering sophisticated podcasts on countless platforms, Errortica revealed her mixing ability.

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I fucking buzz off Loud-E! Arguably the most overlooked editor out there, the guys has been turning out wildly obscure Italo, cosmic and electro cuts for the past fifteen years and he still has bangers in his bag - just check this double header for some heat! Back on Discos Capablanca, the Dutchman rolls his sleeves up and sets the club alight with the freestyle-meets-electro-meets Miami Vice sleazathon of "Cybernetic Ring", a tropical vocoder floor melter which packs the same punch as a hooterful of high grade Colombian. Pretty Sneaky 6 Pretty Sneaky.

On the quest for nonlinear grooves - pure, explorative, outsider rhythm jams from the Pretty Sneaky cartel. Wrapped in warmth, sentiment and serenity, I honestly didn't think purely percussive music could be this emotional!

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Nearly rendering me to tears at points, whilst other moments deliciously turn the cranium inside out; this is some of the most tantalizingly unique, tastefully executed experimental dance music we've heard all year! If you've enjoyed the delicate percussive vibrations from 12th Isle or Don't DJ, the electro-jazz of Max Graef and Employee or the lysergic soundscapes of Vakula, then this will be right up your street - don't sleep!

Ridiculously good! A shared love for modular synthesis brought the two together in for a series of improvised live performances and the tracks featured on this EP were born from rehearsals for those sessions. What draws ESP to this music is its paradigmatic nature. The tracks are exercises in improvisation yet there is a level of control in which the performance slowly comes alive.

Jam sessions allow for artistic gratification, a freedom of form often at the expense of the listener, but when artists set forth exacting parameters, there grows an opportunity for alternate forms of fulfillment on both sides of the experience. As is typical among stylistic prototypes, a reduction of tools frees the artist to narrow their focus and explore more singular modes of performance. Jamie and Mike chose texture as a concept, namely Metal, and following the aforementioned methods, minimized their instrumentation toward the aesthetic representation of that element.

This is playing on the Testarossa radio in your most feverish coke dreams!

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On the A-side "Quasi Quasi" strikes a balance between the romping rhythm section of sequencer bass and snapping drum box, and the hazy euphoria of the arps and pads. It's a dreamy bit of peak time magic for the Italo heads and should play perfectly next to that new Luca Dell'Orso 12" on Red Laser. Flip it for "Gambol Theme" a more sparse and stripped back Italo jacker with a b-line to die for and laser guided lead lines.

This is spaced out and trippy tackle in the great Euro-dance lineage which informed the early days of Chicago and Detroit. This is the first time this restored and upgraded version has been released. Pretty mega collab here! All round badman Bonobo teams up with ultimate party starter Totally Enormous Extinct Dinosaurs to deliver a proper naughty floor burner.

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There's a whomping DnB bassline, filter house fx and maximum euphoria to be had in these four and a half minutes. Flip it for a similarly peng banger in the form of ft.

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Yes mate! Mega stuff from label and artist - highly recommended! An essential addition to your sonic portfolio! DJ Slyngshot Workshop 29 Workshop. A unique producer with a highly creative vision, Slyngshot works in the familiar frameworks of the dancefloor but injects vitality thru inventive drum programming, expert break manipulation, a keen ear for synthesis and thick, sticky mixdowns. His mixdowns especially are deserved of a special mention; as out-there as some of the sounds and rhythms are, they jel perfectly, a seamless swamp of cerebral and body-stimulating frequencies tailor made for maximum enjoyment on any hi-spec dancefloor.

Slyngshot was always gonna profer up his best shit to Workshop and he doesn't disappoint here with four tracks that'll make your head spin and feet move. Incognito Wake Me - Inc. Vega Records chase any autumnal blues away with this gorgeous slice of soulful house from three pioneers of eclectic sounds. Guess what - it is! First off Umberto Eco, the renowned cultural critic and novelist, is featured on an acid disco number here in a vinyl-only extended mix. On the flip side, legendary Argentinian writer Jorge Luis Borges tops the funkiest track of the century, period.

Italian maestro Ennio Morricone is homaged on the 3rd track, which combines sequences with cinematic choirs and Japanese city pop samples.

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This is all great but Cue, Magou, and this record which will unite everyone from yer grandma to your kid sister with its unadulterated dancefloor swagger. Trosss' "Gallium" is the kinda wacked-out, smoked-out, loose groove that might grace a Light Sounds Dark compilation. Flanging bass, sloppy breaks and sweeping FX insistant on keeping us upright but by no means stable. Houschyar completes the collection with a gentle, electro-Balearic lullaby via the delicate plucked tones of "Einsteig". A dreamy fairytale that dissipates into the ether after nursing us into a relaxed slumber.

Beautiful stuff. Dimly lit urban streets unfold as a backdrop to reveal the lives they contain and their stories within. A pressing of copies and another brace of perfect electronic pop gems and sure to sell out super quick style…. Despite current circumstances — Speedy Wunderground have had a busy year. I was extremely excited to then get the chance to work with him. I'd been trying to do so while in London, but it didn't quite work out that way. We did manage to make it happen remotely whilst I was back in Barbados though, and we knocked it out!

It touches lightly upon the topics of fear of the police, drug and alcohol abuse, family, and pulling oneself out of a nihilistic worldview driven by a newfound lust for life. This is me trying to reason with the void. At last we get a taste of those killer Surfing In Kansas edits aboard the good ship Piccadilly. The first two volumes, from A Good Christian and Abel respectively, brought us classy edits of disco, boogie, synth pop and Balearic-Industrial officially a thing now , and this 7" serving sees Christian and Abel take a side a piece for some more edit excellence.

On the A, Christian gives us "Wanna Be Free", a chunky and chugging bit of reggae disco, brimming with Afro-brass and hip twitching bass and boasting an ace conscious vocal. You're gonna swipe right. On the other side, Redlight and MFM man Abel Nagengast sticks his scalpel into a frisky bit of vocoder funk which is right on the tip of my tongue. The guitar goes Wikka Wakka, the drums slap and those vocals materialise through a fuck tonne of circuitry. It's the kind of Balearic pop that Moonboots blows your mind with when he can be bothered DJing.

Old sound, new group! Belgian style. Fatigue kicked in, but De Nooit Moede decided to keep up appearances. Time for coffee, or an alcohol-free beer. Pretending without pretense. After all, the grass is always greener on the fool's side. It was mixed in collaboration with techno demigod David Morley, mastered by Mathieu Savenay and graphically designed by Emile De Geyndt.

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